Le jardin mouilléby Albert Roussel, set to a poem by Henri de Régnier. List of French composers; Classic 100 Music of France (ABC) Last edited on 27 June 2020, at 18:48. Sicard’s new album of Ravel mélodies foregrounds the composer’s cosmopolitanism – including the composer’s Spanish-infused song cycle Don Quichotte à la Dulcinée, his Two Hebrew Songs, his Madagascan Songs, and his Scottish, French, Spanish, Hebrew, and Greek “folk” songs. The French mélodie used the German lied as a model and set serious poetry to music for voice with keyboard accompaniment. Even the Scottish “folk song” – a setting of a Robert Burns poem – is sung in such a charmingly thick accent that it could easily be mistaken for French. Or perhaps this age of French musical internationalism simply produced music that is so bold, so stirring, so electrifying that it still takes pride of place in our cultural consciousness? Monsieur Gabriel Dupont was born in Caen but quickly decided to move to Paris where he studied composition. Ravel’s style is often so flamboyant (some might even say effete) that his music benefits from such a straightforward, genial approach. He was a student and colleague of Debussy. While Duncan’s voice is robust throughout, it could be a little gruff in the lower and middle registers and a little wide in the upper register, adding a harsh quality even to the gentlest of numbers. Une flûte invisibleby André Caplet, set to a poem fromContemplationsby Victor Hugo. Netflix’s Emily in Paris, inexplicably renewed for a second season). Viens ! Devieilhe sings with such laser focus in her upper register that those mélodies which veer towards this golden part of her voice are often strikingly vivid, even larger than life. A conductor, composer and excellent singer, he was also the Director of the Paris Opera, a pupil of Massenet, and even a close friend of Marcel Proust. But many other composers have set poetic masterpieces or texts by their contemporaries to music. Here are portraits of ten such composers whose melodic work is sometimes unfairly underestimated... Massenet composed 280 melodies, but he is particularly remembered for his operas Manon, Werther, Thaïs, Le Cid and Cendrillon. [SORTIE CD] Neuf - Félicien Brut, Edouard Macarez et le Quatuor Hermès. Caplet studied the violin and became Director of The Odéon. Élégieby Jules Massenet, set to a poem by Louis Gallet. In Music. To be sure, there is a degree of uncomfortable exoticism in this repertoire, especially in the 1925 Madagascan Songs. This page was last edited on 27 June 2020, at 18:48 (UTC). Listening to this album, I was struck by just how many of these iconic French composers had set English texts: even Massenet, who was a bastion of French operatic nationalism after the rise of French Wagnerianism, went about setting Tennyson for performance in the salons of the Belle Époque. Yet, for all its faults, Chanson d’Amour succeeds by dint of those faster, more melodic mélodies in which both Devieilhe and Tharaud come into their element. Moments of flagrant exoticism are either smoothly integrated into longer romantic phrases (as with the florid arabesques of the Cinq mélodies populaires grecques or the Deux mélodies hébraïques) or cast off as bouts of operatic extravagance (as in the Madagascan Songs or Don Quichotte à la Dulcinée). In the depths of her range, Devieilhe’s tone can be thin and inconsistent and her declamation can sound slightly affected, with intervallic leaps and changes in dynamic greatly over-emphasized. Le ciel est par-dessus les toitsby Déodat de Séverac, set to a poem  by Paul Verlaine. He first worked as a civil servant before leaving the ministry in order to pursue a career in music. Duncan’s interpretation of these rarely-heard gems could be a little one-dimensional and perhaps a little prim. Encouraged by Camille Saint-Saëns and Bizet, her admission into the conservatoire was a great success. However, the repertoire on this album is also market by a stylistic unity: internationalism is so ingrained in Ravel’s compositional voice that it is often difficult to distinguish between what is Ravel and what is cultural pastiche. L’étéby Cécile Chaminade, set to a poem by Edouard Guinand. As we once again witness the rise of right-wing nationalism across Europe and the United States, perhaps singers are increasingly turning to repertoires that project a vibrant urban cosmopolitanism as a kind of socio-political salve? It is the French equivalent of the German Lied. https://en.wikipedia.org/wiki/Chronological_list_of_French_classical_composers “Hôtel” from Poulenc’s Banalités sounded all too banal, with choppy phrases that seemed to lack direction. Ernest Chausson was part of the Parisian bourgeoisie, thus enjoying great financial security, a rare occurence for a composer! The last few months have seen a new recording of various Ravel song cycles from French baritone Victor Sicard (), an assortment of mélodies from French soprano Sabine Devieilhe (), and an album of English-language settings by various French composers from Canadian baritone Tyler Duncan (Bridge Records).. With mélodies from Gounod to Milhaud and almost everyone in between, the … Manic, slightly erratic renditions of “Fêtes galantes” from Poulenc’s Deux poèmes de Louis Aragon and “Paysages belges” from Debussy’s Ariettes oubliées provided a welcome injection of energy to an album that often felt all too leisurely. Dans la forêt du charme et de l'enchantementby Ernest Chausson, set to a poem by Jean Moréas. All rights reserved. These three albums betray a nostalgia for this gilded age of internationalism. In these faster tracks, Devieilhe exhibits remarkable precision and flexibility, reminiscent of her exquisite 2017 album Mirages (a wonderful collaboration with the Les siècles orchestra). Our week of random contemporary music has flown by! A mélodie is a form of French art song, arising in the mid-19th century. Join Carnegie Hall, Lincoln Center, BAM, New York City Opera and many others in reaching your target audience through parterre box. A chanson, by contrast, is a folk or popular song. Yet, these English-language French songs are a testament to a period of French history when cosmopolitanism was a sign of modernity – composers who could traverse national styles and cross multiple language barriers were seen (at least by some) as the future of French music. When the poems of Paul Verlaine, Charles Baudelaire, Victor Hugo and many others were put to music, the French mélodie was created. He was confronted with the decline of regional music and criticised the small-minded Parisian circles. Composer. PLAY. When the poems of Paul Verlaine, Charles Baudelaire, Victor Hugo and many others were put to music, the French mélodie was created. Following the model of the German Lied, the 19th-century mélodie was usually a setting of a serious lyric poem for solo voice and piano that recognizably combined and unified the poetic and musical forms. It is in the slower, more speech-like mélodies – especially those that are lower in tessitura – where this album languishes. Period: Apr 29, 1749 to Apr 29, 1832. A keen admirer of the work of Wagner. German Lieder and French Melodie Composers Timeline created by claydubberly. Have you ever heard of Reynaldo Hahn? This was especially evident in his performance of Milhaud’s Child Poems, a bizarre set of five (rather dissonant) settings of Bengali poet Rabindranath Tagore in which the singer must envoice both parent and child. 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